Value for Wednesday of Week 52 in the season of Harvest and Celebration

Living Purposefully

To live purposefully is to put meaning into action.

  • Our prime purpose in this life is to help others. And if you can’t help them, at least don’t hurt them. [attributed to 14th Dalai Lama]
  • The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well. [source unclear]
  • The purpose of art is washing the dust of daily life off our souls. [variously phrased, variously attributed]
  • As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being. [Carl Jung, Memories, Dreams, Reflections, Chapter XI, “On Life and Death”.]
  • The purpose of human life is to serve, and to show compassion and the will to help others. [attributed to Albert Schweitzer]

As a young man, I had a vision of how life might be – how I wanted it to be. I made some choices, sacrificing some things for other things, with a wordless conviction that the path of my life would be in pursuit of that vision.

I could have taken an easier path. Some of my choices exacted a personal cost, as I knew they would. But if I could relive my life, I would make the same essential choices.

In my vision of the world, I was not the only object of concern. When Helen Keller spoke of “a worthy purpose,” she was referring to something more than the self. No one can force another to live this way but people who do live this way seem to attain a sense of satisfaction, happiness, fulfillment and inner peace. Perhaps those who live in another way have those things, too, but I do not believe that I would be happy with myself if I had not pursued the path that I thought was right: the path of justice in my own life, in relation with other people.

Purpose and meaning go together. “While definitions of purpose have varied in the past, more recently a consensus has emerged: a purpose in life represents a stable and generalized intention to accomplish something that is at once personally meaningful and at the same time leads to productive engagement with some aspect of the world beyond the self . . .” A sense of purpose “means having a central, organizing life aim, an overall sense of direction in one’s life, and a belief that one’s life activities are valuable and important — making a positive mark on the world . . .”; “. . . a stable and generalized intention to accomplish something that is at once meaningful to the self and of consequence to the world beyond the self.”. 

The Claremont Purpose Scale lists factors associated with purpose under the headings of meaningfulness, goal orientation, and a “beyond the self” dimension. The Meaning and Purpose Scales (MAPS) include “two qualities of meaning, Meaningfulness and Crisis of Meaning, and five sources of purpose: Sustainability, Faith, Security, Community, and Personal Growth.

A sense of purpose conveys many benefits

A sense of purpose helps people contribute to society, including people in leadership roles. It is an adjunct to creativity. When people of good will operate from a sense of purpose, they can direct their intentions in useful ways. This is in tandem with the previous page, on direction.

For nearly a year, if you have been following along day by day, you have been reading about people who lived purposeful lives. At this point in our journey, these ideas begin to become indistinguishable, like the colors of the light spectrum merging into white. Everything is about meaning; everything is about taking a good direction; everything is about purpose. We can see them everywhere, usually without looking for them. This is the full-blown integration and expansion of the spiritual life.

Real

True Narratives

Works by and about Albert Schweitzer:

If you wish to read about lives of purpose, or purpose in life, you can find those stories in many places. On this site, they are found on the pages exploring most of our positive values. Every exemplary leader in any field of endeavor has lived a purposeful life, whether it seemed so to her or not. May you read happily and purposefully.

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

He was clearly more than fifty. Fifty-five, he told me. His name was Elzéard Bouffier. He had owned a farm in the plains, where he lived most of his life. He had lost his only son, and then his wife. He had retired into this solitude, where he took pleasure in living slowly, with his flock of sheep and his dog. He had concluded that this country was dying for lack of trees. He added that, having nothing more important to do, he had resolved to remedy the situation. [Jean Giono, “The Man Who Planted Trees” (1953).]

One day the clay felt itself taken from the place where it had waited so long. A flat blade of iron passed beneath it, and lifted it, and tossed it into a cart with other lumps of clay, and it was carried far away, as it seemed, over a rough and stony road. But it was not afraid, nor discouraged, for it said to itself: "This is necessary. The path to glory is always rugged. Now I am on my way to play a great part in the world." . . . Then an unknown hand put it into an oven, and fires were kindled about it--fierce and penetrating--hotter than all the heats of summer that had ever brooded upon the bank of the river. But through all, the clay held itself together and endured its trials, in the confidence of a great future. "Surely," it thought, "I am intended for something very splendid, since such pains are taken with me. Perhaps I am fashioned for the ornament of a temple, or a precious vase for the table of a king." . . . One day the clay was lifted again from its place, and carried into a great church. Its dream was coming true after all. It had a fine part to play in the world. Glorious music flowed over it. It was surrounded with flowers. Still it could not understand. So it whispered to another vessel of clay, like itself, close beside it, "Why have they set me here? Why do all the people look toward us?" And the other vessel answered, "Do you not know? You are carrying a royal sceptre of lilies. Their petals are white as snow, and the heart of them is like pure gold. The people look this way because the flower is the most wonderful in the world. And the root of it is in your heart."  Then the clay was content, and silently thanked its maker, because, though an earthen vessel, it held so great a treasure. [Henry van Dyke, “A Handful of Clay” (1902).]

Novels:

Poetry

There was a good man of religion, too,
A country parson, poor, I warrant you;
But rich he was in holy thought and work.
He was a learned man also, a clerk,
Who Christ's own gospel truly sought to preach;
Devoutly his parishioners would he teach.
Benign he was and wondrous diligent,
Patient in adverse times and well content,
As he was ofttimes proven; always blithe,
He was right loath to curse to get a tithe,
But rather would he give, in case of doubt,
Unto those poor parishioners about,
Part of his income, even of his goods.
Enough with little, coloured all his moods.
Wide was his parish, houses far asunder,
But never did he fail, for rain or thunder,
In sickness, or in sin, or any state,
To visit to the farthest, small and great,
Going afoot, and in his hand, a stave.
This fine example to his flock he gave,
That first he wrought and afterwards he taught;
Out of the gospel then that text he caught,
And this figure he added thereunto-
That, if gold rust, what shall poor iron do?
For if the priest be foul, in whom we trust,
What wonder if a layman yield to lust?
And shame it is, if priest take thought for keep,
A shitty shepherd, shepherding clean sheep.
Well ought a priest example good to give,
By his own cleanness, how his flock should live.
He never let his benefice for hire,
Leaving his flock to flounder in the mire,
And ran to London, up to old Saint Paul's
To get himself a chantry there for souls,
Nor in some brotherhood did he withhold;
But dwelt at home and kept so well the fold
That never wolf could make his plans miscarry;
He was a shepherd and not mercenary.
And holy though he was, and virtuous,
To sinners he was not impiteous,
Nor haughty in his speech, nor too divine,
But in all teaching prudent and benign.
To lead folk into Heaven but by stress
Of good example was his busyness.
But if some sinful one proved obstinate,
Be who it might, of high or low estate,
Him he reproved, and sharply, as I know.
There is nowhere a better priest, I trow.
He had no thirst for pomp or reverence,
Nor made himself a special, spiced conscience,
But Christ's own lore, and His apostles' twelve
He taught, but first he followed it himselve.

[Geoffrey Chaucer, The Canterbury Tales (ca. 1389-1400), “The Parson’s Portrait”.]

Other poems:

From the dark side:

Music: Composers, artists, and major works

Characterized by a powerful solo voice in an orchestral context (think society and nature), the great violin concerti illustrate the elements of the religious life. With its hard-driving attitude throughout (his “inspiration” was a failed marriage), Pyotr Ilyich Tchaikovsky’s Violin Concerto in D major, Op. 35 (1878) (approx. 31-37’) (list of recorded performances), suggests a life of purpose. The concerto suggests ambition, with several melodic themes. “Despite the difficulties of the solo part, the violin focuses on decorating the theme rather than on presenting purely technical passages. Top recorded performances are by Erica Morini in 1952, David Oistrakh in 1954, Jascha Heifetz in 1957, Isaac Stern in 1958, Leonid Kogan in 1959, Zino Francescatti in 1965, Itzhak Perlman in 1967, Kyung-Wha Chung in 1970, Nathan Milstein in 1972, Vladimir Spivakov in 1982, Maxim Vengerov in 1990, Maxim Vengerov in 1995, Vadim Repin in 2001, Christian Tetzlaff in 2002, Janine Jansen in 2006, Ray Chen in 2011, Julia Fischer in 2015, Henning Kraggerud in 2018, and Daniel Lozakovich in 2019 ***.

Antonín Dvořák, Violin Concerto in A Minor, Op. 53, B. 96 / B. 108 (1879) (approx. 36-39’) (list of recorded performances), is a hard-driving work, apparently informed by the composer’s intentions. He said: “I myself have gone to the simple, half-forgotten tunes of the Bohemian peasants for hints in my most serious works.  Only in this way can a musician express the true sentiment of his people.” Top recorded performances are by Martzy & Fricsay in 1953, Suk & Ančerl in 1961, Perlman & Barenboim in 1975, Faust & Bělohlávek in 2008, Julia Fischer & Zinman in 2012, Mutter & Honeck in 2013, Tetzlaff & Storgårds in 2016, and Hahn & Orozco-Estrada in 2022.

Franz Liszt composed two highly regarded piano concerti. The first is his Piano Concerto No. 1 in E-flat Major, S. 124 (1849) (approx. 17-21’) (list of recorded performances). “A single theme dominates the entire concerto.” “The Concerto’s four sections are connected and share thematic material to such an extent that they form an organic, cyclic whole.” “. . . Liszt wanted this piece to be taken seriously as the highly original composition that it is rather than as a light, virtuoso showpiece that would merely showcase his own talents—it is for this reason that he preferred pianists other than himself to play the work.”  Top recorded performances are by Cziffra in 1956, Bolet in 1960, Richter in 1961 ***, Janis in 1963, Zimerman in 1988, Li in 2005, Barenboim in 2010, and Ullman in 2022.

Liszt, Piano Concerto No. 2 in A Major, S. 125 (1849) (approx. 19-24’) (list of recorded performances). “The A major Concerto is more subdued in this regard. Its technical demands remain substantial, and Liszt certainly does include passages that convey virtuoso spectacle; but on the whole, one senses the composer’s deep-seated desire to integrate the solo instrument into the symphonic texture rather than highlight is as a vessel of independent display.” “Liszt takes his sweet time developing this exquisitely romantic theme, which gains in intensity as the piano assumes dominance, ending what might be called the first development with a fiery cadenza. The more animated contrasting theme is replaced by yet another, wholly new melodic notion before the ‘unifying’ theme is resumed in a gorgeous cello solo, followed eventually by another thunderous piano cadenza and the martial Allegro deciso rendering of the theme, which is then subjected to a further series of transformations before the slam-bang conclusion.” Top recorded performances are by Richter in 1961 ***, Janis in 1963, Freire in 1979, Zimerman in 1988, Barenboim in 2010, Senyshyn in 2019, and Ullman in 2022.

Other compositions:

Albums:

Music: songs and other short pieces

Visual Arts

Shadow side:

Film and Stage

This Is Our Story

A religion of values and Ethics, driven by love and compassion, informed by science and reason.

PART ONE: OUR STORY

First ingredient: Distinctions. What is the core and essence of being human? What is contentment, or kindliness, or Love? What is gentleness, or service, or enthusiasm, or courage? If you follow the links, you see at a glance what these concepts mean.

PART TWO: ANALYSIS

This site would be incomplete without an analytical framework. After you have digested a few of the examples, feel free to explore the ideas behind the model. I would be remiss if I did not give credit to my inspiration for this work: the Human Faith Project of Calvin Chatlos, M.D. His demonstration of a model for Human Faith began my exploration of this subject matter.

A RELIGION OF VALUES

A baby first begins to learn about the world by experiencing it. A room may be warm or cool. The baby learns that distinction. As a toddler, the child may strike her head with a rag doll, and see that it is soft; then strike her head with a wooden block, and see that it is hard. Love is a distinction: she loves me, or she doesn’t love me. This is true of every human value:

justice, humility, wisdom, courage . . . every single one of them.

This site is dedicated to exploring those distinctions. It is based on a model of values that you can read about on the “About” page. However, the best way to learn about what is in here is the same as the baby’s way of learning about the world: open the pages, and see what happens.

ants organic action machines

Octavio Ocampo, Forever Always

Jacek Yerka, House over the Waterfall

Norman Rockwell, Carefree Days Ahead

WHAT YOU WILL SEE HERE

When you open tiostest.wpengine.com, you will see a human value identified at the top of the page. The value changes daily. These values are designed to follow the seasons of the year.

You will also see an overview of the value, or subject for the day, and then two columns of materials.

The left-side column presents true narratives, which include biographies, memoirs, histories, documentary films and the like; and also technical and analytical writings.

The right-side columns presents the work of the human imagination: fictional novels and stories, music, visual art, poetry and fictional film.

Each entry is presented to help identify the value. Open some of the links and experience our human story, again. It belongs to us all, and each of us is a part of it.

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The Work on the Meditations