Virtual libraries (enter sites from this site)
Meditation for Friday of Week 04 in the season of Dormancy
- . . . evil is always the assertion of some self-interest without regard to the whole . . . [Reinhold Niebuhr, The Children of Light and the Children of Darkness (Scribners, 1944), p. 9.]
- The foundation for the Buddha’s teachings lies in compassion, and the reason to practice the teachings is to wipe out the persistence of ego, the number-one enemy of compassion. [Tenzin Gyatso, the 14th Dalai Lama.]
Evil is present when we fail to account for the whole. Happiness should not come at someone else’s expense. This is another way of looking at the Golden Rule and worth-based justice.
· Arbitrary power is to the mind what alcohol is to the body; it intoxicates. Man loves power. It is perhaps the strongest human passion; and the more absolute the power, the stronger the desire for it; and the more it is desired, the more its exercise is enjoyed: this enjoyment is to human nature a fearful temptation,--generally an overmatch for it. Hence it is true, with hardly an exception, that arbitrary power is abused in proportion as it is desired. The fact that a person intensely desires power over others, without restraint, shows the absolute necessity of restraint. What woman would marry a man who made it a condition that he should have the power to divorce her whenever he pleased? Oh! he might never wish to exercise it, but the power he would have! No woman, not stark mad, would trust her happiness in such hands. [Theodore D. Weld, American Slavery as It Is (1839).]
· I do not agree with the view that to be moral, the motive of one’s actions has to be benefiting others. Morality does not have to be defined in relation to others . . . People like me want to satisfy our hearts to the full, and in doing so we automatically have the most valuable moral codes. Of course, there are people and objects in the world but they are all there only for me. [Mao Tse-tung (Mao Zedong), quoted in Jung Chang, Mao: The Unknown Story (Alfred A. Knopf, 2005), chapter 2.]
- James Lincoln Collier, The Riseof Selfishnessin America, (Oxford University Press, 1991).
- Richard J. Evans, The Coming of the Third Reich (Penguin Press, 2004).
- Richard J. Evans, The Third Reich in Power, 1933-1939 (Penguin, 2006).
- Amanda Foreman, A World on Fire: Britain’s Crucial Role in the American Civil War (Random House, 2011): eventually, Britain took the Union’s side but principle may have had nothing to do with it.
- Richard Kluger, The Bitter Waters of Medicine Creek: A Tragic Clash Between White and Native America (Alfred A. Knopf, 2011): describing “the active and often ugly process of taking a continent.”
- Will Storr, Selfie: How We Became So Self-Obsessed and What It’s Doing to Us (The Overlook Press, 2018): “Locating the Western penchant for self-absorption in 2,000 years of history.”
- Nathaniel Rich, Losing Earth: A Recent History (MCD, 2019), on how greed and myopia are at the core of inaction on climate change: “It is an account of what went wrong — of how it was that a moment of growing awareness of climate change, and an apparent willingness to act on the knowledge, was allowed to dissipate into stasis and inaction.”
- David Enrich, Dark Towers: Deutsche Bank, Donald Trump, and an Epic Tale of Destruction (Custom House, 2020): “. . . unchecked ambition twisted a pillar of German finance into a reckless casino and fostered a culture in which amorality and, ultimately, criminality thrived.”
- Ben Hubbard, MBS: The Rise to Power of Mohammed bin Salman (Tim Duggan, 2020): “M.B.S. saw no need for checks on his power and crushed all threats to it. … He would stop at nothing to make Saudi Arabia great again, on his terms.”
History is littered with the evil of conquest.
- Steven Hahn, A Nation Without Borders: The United States and Its World in an Age of Civil Wars, 1830-1910 (Viking, 2016).
The Vietnam war happened because no one in power, in the United States, would admit that the war was a mistake.
- Geoffrey C. Ward and Ken Burns, The Vietnam War: An Intimate History (Knopf, 2017): “ . . . Burns and Novick, in their introduction, proclaim their intention to do what few have done: recount the war from not just the American viewpoint but from that of the North and South Vietnamese too.”
- Max Hastings, Vietnam: A Epic Tragedy, 1945-1975 (Harper, 2018): “‘If America’s war leadership often flaunted its inhumanity, that of North Vietnam matched it cruelty for cruelty,’ Hastings contends.”
Remarkably egocentric people:
- Laurence Bergreen, Casanova: The World of a Seductive Genius (Simon & Schuster, 2016): “‘I have lived as a philosopher, and I die as a Christian.’ These were, supposedly, the last words of Giacomo Casanova, the 18th century’s most infamous adventurer, trickster, gambler and libertine. It is just the sort of thing he would have said, for he was a master of self-justification. Defending his exploits came as naturally to Casanova as slurping oysters from the bodice of a nun in a Venetian casino.”
- Lindsay Harper, The Philosopher's Ego (2008)
- Honore Daumier, The Beautiful Narcissus (1842)
- Caravaggio, Narcissus (1599)
Music: songs and other short pieces
- Pete Seeger, Where Have All the Flowers Gone? (Additional performances by Joan Baez, Peter Paul and Mary, Marlene Dietrich and The Brothers Four)
Film and Stage
- Macbeth, Shakespeare’s dramatic treatise on greed and runaway ambition
- Throne of Blood, Kurosawa’s adaptation of “Macbeth”
- Yojimbo and Sanjuro, films about raw power. Yojimbo is a straight-up Japanese melodrama in the style of American horse opera, while Sanjuro is “a mischievous, sly, good-humored presentation of a crusty old samurai caught between two groups of plain incompetents, with a playful satiric point”
- The Treasure of Sierra Madre, about greed in the mountains, in search of gold
- Knife in the Water(Nóz w Wodzie): confining three poorly matched people on a boat together, the film “is a devilish dissection of man in one of his more childish and ridiculous aspects”
- Aguirre, der Zorn Gottes(Aguirre, the Wrath of God), an historical drama about a ruthless and megalomaniacal conquistador
- The Big Heat, featuring “dice, vice and corruption”
- Blue Collar, in which workers discover“how powerfully malevolent the union can be in a system that counts on petty divisiveness to keep the larger power structure intact”
- Bob le Flambeur (Bob the Gambler)
- The Damned(La caduta degli dei), about greed in Nazi Germany
- Dance With a Stranger, “an uncompromising look at obsessive love and its consequences on others” (review)
- The Earrings of Madame de . . .: of luxury and loss
- Eight Men Out, about the 1919 Chicago White Sox scandal
- Eyes Without a Face: a man surgically removes the faces of young women to restore his daughter’s appearance after a tragic accident
- The Grifters
- Happiness, with tongue in cheek
- The Last Seduction, about a woman with “undiluted self interest”
- Lovely and Amazing: “The movie zeroes in on contemporary narcissism with a needling accuracy that illustrates exactly the way some people allow their insecurities to poison their intimate relationships.”
- Married to the Mob, where everyone makes compromises
- Monsieur Verdoux: murder as the logical extension of business
- The Private Life of Henry VIII
- Stormy Monday, a film noir crime thriller
- Story of Women, about a woman who performs abortions for money in Nazi Germany and then is executed for depleting the pool of potential soldiers
- Sweet Smell of Success, about everyone out for himself
- Traffic, a “profound and gloomy meditation on greed, violence and contemporary ennui”
- What Ever Happened to Baby Jane?: vanity and cruelty among two theatrical sisters, one a child star who faded early and the other a successful actress disabled by an injury; see also the remake
- White Heat, about a “mother-dominated psychotic who dreams about being on ‘top of the world’”
- Plein soleil (Purple Noon) (Lust for Evil) (Blazing Sun) (Full Sun): the protagonist “believes that getting his own way is worth whatever price anyone else might have to pay”
- In Seven Beauties, the “hero” preserves himself against a background of profound evil
Music: Composers, artists, and major works
- Richard Wagner's tragic opera Lohengrin tells the tragic story of a woman who inadvertently stymies the search for the Holy Grail, which we can see as a metaphor for happiness or justice. Her insistence on knowing the name of her benefactor is her undoing This opera is a story about how untamed ego causes separation and unhappiness: almost every main character winds up unhappy as a result of pursuing a selfish desire. (Links to complete performances starring Kaufmann, Domingo and Windgassen)
- Bartók, Duke Bluebeard’s Castle: the duke’s new wife learns that he has many other interests, including three other wives. Here are links to performances conducted by Kubelik, Dohnányi and Elder.
- Weill, The Threepenny Opera: (1928) portrays a society made decadent by rampant egoism and social apathy. Most of Weill’s theatre music suits this subject. Here are links to performances conducted by Matlowsky and Bernstein.
- Furtwängler, Symphony No. 3 in C-sharp Minor (1954): the composer was explicit, he composed this symphony as a tragedy.
- Verdi, Macbeth (1847): a tragedy of unbridled ambition – performances conducted by Chailly, Welser-Möst and Callegari
- Stephen Albert, Into Eclipse: a prologue and five songs on the Oedipus tragedy
- Wolpe, Zeus und Elida, Op. 5a (1928); Schöne Geschichten, Op. 5b (1929): two “decadent” works from Berlin in the 1920s
- Weill, Die sieben Todsünden (The Seven Deadly Sins) - Ballet with singing in 8 parts
- Frid, Phädra, Op. 78, No. 1 (1985), a tragic work for string quartet and piano, based on a 1677 play by Racine, in which the characters fall victim to their own egos
If one places one's self at the culminating point of view of the question, Waterloo is intentionally a counter-revolutionary victory. It is Europe against France; it is Petersburg, Berlin, and Vienna against Paris; it is the _statu quo_ against the initiative; it is the 14th of July, 1789, attacked through the 20th of March, 1815; it is the monarchies clearing the decks in opposition to the indomitable French rioting. The final extinction of that vast people which had been in eruption for twenty-six years--such was the dream. [Victor Hugo, Les Misérables (1862), Volume II – Cosette; Book First – Waterloo, Chapter XVII, Is Waterloo To Be Considered Good?]