CHAPTER 4: The DEMOCRATIC (R)EVOLUTION We are better than we realize we are. For the first time, we can now create institutions of governance that elicit our best. Copyright 2026 by Paul L. LaClair
Value for Wednesday of Week 19 in the season of Growth
Working
To survive, at least some of us must work.
- The only place success comes before work is in the dictionary. [attributed to Vince Lombardi]
- The best preparation for good work tomorrow is to do good work today. [Elbert Hubbard]
- All life demands struggle. Those who have everything given to them become lazy, selfish, and insensitive to the real values of life. The very striving and hard work that we so constantly try to avoid is the major building block in the person we are today. [attributed to Pope Paul VI]
Individuals must work: gathering food; finding and maintaining a safe place to live; caring for a family; or working a job to earn money to afford these things.
Employers want workers who function competently without being prodded to perform. A worker who appears to be struggling to make an effort is not likely to last long on the job.
Beyond merely making an effort is the daily practice of working. Because it consumes so much of our time and is so central in our lives, it is the subject of a vast collection of narratives, real and fictional.
Real
True Narratives
On work and workers:
- Studs Terkel, Working: People Talk About What They Do All Day and How They Feel About What They Do (New Press, 1997).
- Laura Hapke, Labor’s Text: The Worker in American Fiction (Rutgers University Press, 2000).
- Janet Zandy, Calling Home: Working Class Women’s Writings (Rutgers University Press, 1990).
- Janet Zandy, Hands: Physical Labor, Class, and Cultural Work (Rutgers University Press, 2004).
- Stephanie Land, Maid: Hard Work, Low Pay and a Mother’s Will to Survive (Hachette Books, 2019): “‘I’m not your maid,’ goes the outraged refrain of the mother; ‘I’m not your mother,’ the outraged refrain of the girlfriend or wife. The declarations are pleas for respect, consideration; they invoke roles in which women can’t necessarily expect either. What indignities are you subject to when you are both mother and maid?”
- Megan K. Stack, Women’s Work: A Reckoning With Work and Home (Doubleday, 2019): “Megan K. Stack sets out in ‘Women’s Work’ to explore the underside of motherhood — the realities of labor and child care that men ignore and that women of privilege regularly gloss over: leaving the nannies and cleaners out of their books, excluding them from social media posts and rendering their work invisible.”
- Jason DeParle, A Good Provider Is One Who Leaves: One Family and Migration in the 21st Century (Viking, 2019): “ . . . a sweeping, deeply reported tale of international migration that hopscotches from the Philippines through the Middle East, Europe and eventually the United States.”
- Danielle Dreilinger, The Secret History of Home Economics: How Trailblazing Women Harnessed the Power of Home and Changed the Way We Live (W.W. Norton & Company, 2021): “‘In its purest form, home economics was about changing the world through the household.’”
- Gabriel Winant, The Next Shift: The Fall of Industry and the Rise of Health Care in Rust Belt America (Harvard University Press, 2021): “How Health Care Became the Big Industry in Steel City”.
On the checkered history of work:
- Anne Case and Angus Deaton, Deaths of Despair and the Future of Capitalism (Princeton University Press, 2020): “How the White Working Class Is Being Destroyed”.
- Gordon H. Chang, Ghosts of Gold Mountain: The Epic Story of the Chinese Who Built the Transcontinental Railroad (Houghton Mifflin, 2019): “ . . . a moving effort to recover their stories and honor their indispensable contribution to the building of modern America.”
- Eyal Press, Dirty Work: Essential Jobs and the Hidden Toll of Inequality in America (Farrar, Straus & Giroux, 2021): “describes with great empathy the lives of workers who do jobs that they themselves find morally horrifying.”
- Anna Qu, Made in China: A Memoir of Love and Labor (Catapult, 2021): “. . . Qu trims loose threads off sleeves in her family’s garment factory . . .”
- Farah Stockman, American Made: What Happens to People When Work Disappears (Random House, 2021), “traces the shock waves at the Indianapolis factory following the announcement in 2016 that Rexnord, its Wisconsin-based corporate owner, was relocating the plant to Mexico.”
- Nell McShane Wulfhart, The Great Stewardess Rebellion: How Women Launched a Workplace Revolution at 30,000 Feet (Doubleday, 2022): “. . . no one questioned men’s right to take whatever they wanted; marketed as the Playboy Bunnies of the sky, stewardesses were presented as property, like so many airborne party favors, with the mystique of the mile-high club emerging as a bucket-list goal for countless men.”
Technical and Analytical Readings
- Ruth Yeoman, et. al., eds., The Oxford Handbook of Meaningful Work (Oxford University Press, 2019).
- Randy Hodson, Dignity at Work (Cambridge University Press, 2001).
- Debra A. Major and Ronald Burke, eds., Handbook of Work-Life Integration Among Professionals: Challenges and Opportunities (Edwar Elgar Publications, 2014).
- Karen Korabek, et. al., eds., Handbook of Work-Family Integration: Research, Theory, and Best Practices (Academic Press, 2008).
- Stephen Ackroyd, et. al., eds., The Oxford Handbook of Work and Organization (Oxford University Press, 2005).
- Mark Alan Wilson, et. al., eds., The Handbook of Work Analysis: Methods, Systems, Applications and Science of Work Measurement in Organizations (Routledge, 2012).
- Julian Barling, et. al., eds. Handbook of Work Stress (SAGE Publications, 2004).
- David Graeber, Bullshit Jobs: A Theory (Simon & Schuster, 2018): “Graeber is expanding on a 2013 essay that he published in Strike! magazine and that subsequently went viral. In it, citing a famous prediction by the economist John Maynard Keynes, he argued that technology should have made workers more productive, leading to a 15-hour workweek, but instead has been used to make people work more, in pointless jobs they hate.”
Photographs
Documentary and Educational Films
Imaginary
Fictional Narratives
The same day Aurelius left for Rome. The whole way he was thoughtful and silent, attentively examining everything, the people, the ship, and the sea, as though endeavouring to recall something. On the sea a great storm overtook them, and all the while Aurelius remained on deck and gazed eagerly at the approaching and falling waves. When he reached home his family were shocked at the terrible change in his demeanour, but he calmed them with the words: “I have found it!” In the dusty clothes which he had worn during the entire journey and had not changed, he began his work, and the marble ringingly responded to the resounding blows of the hammer. Long and eagerly he worked, admitting no one. At last, one morning, he announced that the work was ready, and gave instructions that all his friends, and the severe critics and judges of art, be called together. Then he donned gorgeous garments, shining with gold, glowing with the purple of the byssin. “Here is what I have created,” he said thoughtfully. His friends looked, and immediately the shadow of deep sorrow covered their faces. It was a thing monstrous, possessing none of the forms familiar to the eye, yet not devoid of a hint of some new unknown form. On a thin tortuous little branch, or rather an ugly likeness of one, lay crooked, strange, unsightly, shapeless heaps of something turned outside in, or something turned inside out—wild fragments which seemed to be feebly trying to get away from themselves. And, accidentally, under one of the wild projections, they noticed a wonderfully sculptured butterfly, with transparent wings, trembling as though with a weak longing to fly. [Leonid Andreyev, “Lazarus” (1906).]
Novels:
- Tash Aw, We, the Survivors: A Novel (Farrar, Straus & Giroux, 2019): “. . . a searching commentary on the desperate conditions of the largely invisible work force propelling the global economy.” “If poor Malaysians like Ah Hock are often ignored in the narrative of go-go Asia, with its propulsive growth rates and plantations of skyscrapers, undocumented workers fare even worse. When recognized at all, they are blamed for petty crimes or for stealing jobs from citizens. Asian scorn is no different from the American variety.”
- Hiroko Oyamada, The Factory: A Novel (New Directions, 2019): “The three central characters . . . watch themselves being slowly and systematically buried alive, but by another great extinguisher of the self: work.”
- Abi Daré, The Girl With the Louding Voice: A Novel (Dutton, 2020): “Raised in poverty, 14-year-old Adunni finds work as a housemaid for a rich Lagos family, enduring abuse and exploitation while she yearns to go to school.”
Poetry
I went to turn the grass once after one
Who mowed it in the dew before the sun.
The dew was gone that made his blade so keen
Before I came to view the levelled scene.
I looked for him behind an isle of trees;
I listened for his whetstone on the breeze.
But he had gone his way, the grass all mown,
And I must be, as he had been, — alone,
‘As all must be,’ I said within my heart,
‘Whether they work together or apart.’
But as I said it, swift there passed me by
On noiseless wing a ’wildered butterfly,
Seeking with memories grown dim o’er night
Some resting flower of yesterday’s delight.
And once I marked his flight go round and round,
As where some flower lay withering on the ground.
And then he flew as far as eye could see,
And then on tremulous wing came back to me.
I thought of questions that have no reply,
And would have turned to toss the grass to dry;
But he turned first, and led my eye to look
At a tall tuft of flowers beside a brook,
A leaping tongue of bloom the scythe had spared
Beside a reedy brook the scythe had bared.
I left my place to know them by their name,
Finding them butterfly weed when I came.
The mower in the dew had loved them thus,
By leaving them to flourish, not for us,
Nor yet to draw one thought of ours to him,
But from sheer morning gladness at the brim.
The butterfly and I had lit upon,
Nevertheless, a message from the dawn,
That made me hear the wakening birds around,
And hear his long scythe whispering to the ground,
And feel a spirit kindred to my own;
So that henceforth I worked no more alone;
But glad with him, I worked as with his aid,
And weary, sought at noon with him the shade;
And dreaming, as it were, held brotherly speech
With one whose thought I had not hoped to reach.
‘Men work together,’ I told him from the heart,
‘Whether they work together or apart.’
[Robert Frost, “The Tuft of Flowers”]
Let me but do my work from day to day,
In field or forest, at the desk or loom,
In roaring market-place or tranquil room;
Let me but find it in my heart to say,
When vagrant wishes beckon me astray,
"This is my work; my blessing, not my doom;
"Of all who live, I am the one by whom
"This work can best be done in the right way."
Then shall I see it not too great, nor small,
To suit my spirit and to prove my powers;
Then shall I cheerful greet the labouring hours,
And cheerful turn, when the long shadows fall
At eventide, to play and love and rest,
Because I know for me my work is best.
[Henry Van Dyke, “Work”]
Other poems about work:
- Carl Sandburg, “Chicago”
- Maya Angelou, “Woman Work”
- Marge Piercy, “A Work of Artifice”
- Martín Espada, “In Praise of Local 100”
- Ruth Stone, “Eden, Then and Now”
- Susan Meyers, “Mother, Washing Dishes”
- Elizabeth Bishop, “Filling Station”
- Lisel Mueller, “Virtuosi”
- Rhina P. Espaillat, “’Find Work’”
- Robert Pinsky, “Shirt”
- Al Magines, “The Dignity of Ushers”
- David Ignatow, “Self-Employed”
- Mary Collier, “The Washerwoman”
- Kenneth Koch, “To My Father’s Business”
- Lorine Niedecker, “Poet’s Work”
- Robert Frost, “Mowing”
- Bernadette Mayer, “Failures in Infinitives”
- Mark Halliday, “The Halls”
- Philip Levine, “What Work Is”
- Natasha Trethewey, “Domestic Work, 1937”
- Khalil Gibran, “Work Chapter VII”
- David Wagoner, “Wallace Stevens On His Way To Work”
- Emily Dickinson, “It Is Easy To Work When the Soul Is At Play”
- Walt Whitman, “Spirit Whose Work Is Done”
- Mark R. Slaughter, “Work, Sleep, Work, Sleep, Work”
- Robert William Service, “Work and Joy”
- Franklin Pierce Adams, “How Do You Tackle Your Work”
- Ben Gieske, “Work, Worker’s Pledge, Youth”
- Marvin Brato, Sr., “Work”
Music: Composers, artists, and major works
Vasily Kalinnikov, Symphony No. 1 in G Minor (1895) (approx. 37-43’) (list of recorded performances), seems to be about the joyful pursuit of work, an idea that, no doubt, pleased Soviet authorities, despite its being composed more than twenty years before the Communist Revolution of 1917. By movement: (1. Allegro moderato) The main theme suggests the business of daily life, calmly, purposefully and cheerfully pursued; (2. Andante commodamente) The main theme suggests the business of daily life, calmly, purposefully and cheerfully pursued; (2. Andante commodamente) The main theme is modified and slightly more somber; (3. Scherzo: allegro non troppo – moderato assai) The mood lightens, as we leave the main theme, still purposeful and businesslike; the movement concludes at a faster pace, in a lighter mood; and (4. Finale: Allegro moderato) The final movement suggests purposeful work in community, vigorously and joyously pursued; this idea brings the symphony to a triumphant conclusion. Excellent recorded performances are conducted by Rakhlin in 1949, Kondrashin in 1960, Svetlanov in 1977, Svetlanov in 1993, Kuchar in 1995, Neeme Järvi in 1997, and Bakels in 2011.
Artists:
- Big Bill Broonzy cut his own path in the world, and in music. “In Arkansas, the young Bill (Lee) worked as a violinist in local churches at the same time as working as a farm hand. He also worked as a country fiddler and local parties and picnics around Scott Mississippi.” Over time, he became successful, and left a lasting influence on the blues.
- John Lee Hooker came from a working background, which his music reflected. “John Lee Hooker was at once one of the most influential yet inimitable artists in blues history. His distinctive ‘boogie’ style harked back to the early days of blues, but his mixture of down-home sounds and urban sensibilities resounded with many southerners who, like him, migrated north seeking work and a better life.”
Other compositions evoking an image of working:
- Hayden Wayne, String Quartet No. 9 (approx. 31-32’)
- Gustav Holst, Prelude & Scherzo, Op. 52, H 178, "Hammersmith" (1930) (approx. 13-14’) (list of recorded performances): in program notes for a disc on the Naxos label, Christopher Mowat writes, “this musical tribute to (Holst’s West London) contrasts the inexorable slow progress of the Thames with energetic bustle of the then energetic street-life on its banks.”
- Stephen Hartke, Clarinet Concerto, "Landscapes with Blues” (2001) (approx. 28’)
- Manuel de Falla, Harpsichord Concerto [Concerto for harpsichord, flute, oboe, clarinet, violin and cello – dedicated to Wanda Landowska] (1926) (approx. 13’) (list of recorded performances)
- Juan Crisóstomo Arriaga, String Quartet No. 1 in D minor (1823) (approx. 23-25’) (list of recorded performances): repetition of simple motifs in a minor key
- Ernest Bloch, Concerto Symphonique for Piano & Orchestra (1948) (approx. 39’)
- Boris Blacher, Piano Concerto No. 1 (1947) (approx. 18’)
- Blacher, Piano Concerto No. 2 (1952) (approx. 19’)
- C.P.E. Bach, Keyboard Sonatas, Wq. 48 (1740-1742), Wq. 49 (ca. 1742) & Wq. 63 (1753) (approx. 146’ in all) (list of recorded performances)
- Johann Joachim Quantz, Flute Concerto in C Minor, QV. 5:174 (ca. 1745) (approx. 18-20’) (list of recorded performances)
- Jindřich Feld, Flute Concerto (1954) (approx. 32’)
- Antonín Dvořák, The Golden Spinning Wheel, Op. 109, B. 197 (1896) (approx. 19-27’) (list of recorded performances)
- Richard Strauss, Sonatine No. 2 in E-Flat Major, TrV 291 "The Happy Workshop" (Fröhliche Werkstatt) (1945) (approx. 37-41’): Strauss, who spent his adult life as a composer, appears to have had a rosy view of the workplace, though he didn’t go easy on the performers with this composition.
- Raga Kaushile Kanada (Kaushile Kanara – Kaushile Kannada – Kaushile Kannara) is a Hindustani classical raag for after midnight. “This raga is like meeting a sophisticated personality, who is gracious, emotionally open and balanced between the past and future. By the past and future, you can have a conversation with this raga going over your past experiences as well as what lies ahead.” Performances are by Ravi Shankar, Nikhil Banerjee, Ravi Shankar and Ali Akbar Khan, Hariprasad Chaurasia, and Rashid Khan.
- George Frideric Händel, Keyboard Suites, HWV 426-433 (1720) (approx. 90-110’) (list of recorded performances), often called his Eight “Great” Suites, they are well-represented on disc by Tilney in 1974, Gilbert in 1976, Ross (Vol. 1, Vol. 2), Rémy in 2003, Vinikour in 2010, Egarr in 2014, Hantaï in 2021 (426-429), Corti in 2022, and Ogawa in 2023; and 434-441 (1733) (approx. 90-95’); all sixteen suites, HWV 426-441 (approx. 180-185’) have been recorded on piano by Heidsieck. Sophie Yates has recorded three volumes of the suites (Vol. 1, Vol. 2, Vol. 3). These present the sound of brain-work.
- Peter Garland, The Basketweave Elegies (2018) (approx. 34’) “is a nine-movement work for solo vibraphone . . .” “Inspired by his admiration of basket making, Garland writes of the album: 'The title was originally conceived as a homage to the late artist Ruth Asawa (1926-2013), famous for, among other things, her woven wire sculptures.'” The work is about putting something together.
Music: songs and other short pieces
- Donna Summer, “She Works Hard for the Money” (lyrics)
- The Beatles, “A Hard Day’s Night” (lyrics)
- Bruce Springsteen, “Working on the Highway” (lyrics)
- John Handy, “Hard Work” (lyrics)
- Franz Schubert (composer), “Pflügerlied” (Ploughing Song), D. 392 (1816) (lyrics)
Visual Arts
- Vlademir Alexandrovich Danelyuk, Welder (1981)
- Diego Rivera, Woman Grinding Maize (1924)
- Georges Seurat, Farm Women at Work (1882)
- Joseph Mallord William Turner, Rain, Steam and Speed (1844)
Film and Stage
- Time Out (L’emploi du Temps), “a somber and complex meditation on work” in which the only job is having a job
