Value for Sunday of Week 20 in the season of Growth

Fulfilling Duty toward Others

A core commitment to everyone’s intrinsic worth implies duties to other people – to other living beings.

  • We, the People, recognize that we have responsibilities as well as rights; that our destinies are bound together; that a freedom which only asks what’s in it for me, a freedom without a commitment to others, a freedom without love or charity or duty or patriotism, is unworthy of our founding ideals, and those who died in their defense. [Barack Obama]
  • In doing what we ought we deserve no praise, because it is our duty. [attributed to Augustine]
  • . . . the greatest heroes are those who do their duty in the daily grind of domestic affairs whilst the world whirls as a maddening dreidel. [Florence Nightingale]

We are at the responsibility stage of development, a step ahead of not doing harm and a step behind moral excellence. It is the stage of moral competence, or duty.

Real

True Narratives

Technical and Analytical Readings

Some people have recognized the importance of values education beginning at an early age.

Marcus Tullius Cicero, Three Books of Offices, or, Moral Duties (44 BCE).

Social competence, i.e., the ability to and practice of relating to others, is a recognized field in the discipline of social work.

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

For some people, compassion and service arise out of a sense of duty. In this scene, a priest has witnessed a group of people heartlessly mocking a mis-shapen child – Quasimodo.

For several minutes, a young priest had been listening to the reasoning of the Haudriettes and the sentences of the notary. He had a severe face, with a large brow, a profound glance. He thrust the crowd silently aside, scrutinized the “little magician,” and stretched out his hand upon him. It was high time, for all the devotees were already licking their chops over the “fine, flaming fagot.”    “I adopt this child,” said the priest. He took it in his cassock and carried it off. [Victor Hugo, Notre-Dame de Paris, or, The Hunchback of Notre Dame (1831), Volume I, Book Fourth, Chapter I, “Good Souls”.]

Novels:

Poetry

Music: Composers, artists, and major works

Conductor Seiji Ozawawas never a natural genius: his success has been the fruit of hard work and continuous study. Those who know him say that he is affable, filled with love for his fellow man, and mindful of duty.” Here are links to his playlists, and of Ozawa conducting live.

Pietro Locatelli’s (1695-1764) L’Arte del Violino, Op. 3 (1733) (approx. 230’) (list of recorded performances), is a set of twelve baroque violin concerti. These are journeyman works, of great beauty all the same. The soloist’s relation to the orchestra and its players is consistently respectful and aware.

Equally suited to this value are Locatelli’s Violin Sonatas (1737) (approx. 225’), composed for violin, cello and harpsichord: Op. 6 . . .

  • Sonata No. 1 in B-flat Major (approx. 17’)
  • Sonata No. 2 in F Major (approx. 18’)
  • Sonata No. 3 in B Major (approx. 14’)
  • Sonata No. 4 in E Major (approx. 14’)
  • Sonata No. 5 in C minor (approx. 41’)
  • Sonata No. 6 in D Major (approx. 18’)
  • Sonata No. 7 in F minor (approx. 13’)
  • Sonata No. 8 in C Major (approx. 16’)
  • Sonata No. 9 in B minor (approx. 14’)
  • Sonata No. 10 in G Major (approx. 17’)
  • Sonata No. 11 in E-flat Major (approx. 14’)
  • Sonata No. 12 in D minor (approx. 14’) 

. . . and Op. 8 (1744) (approx. 70’):

  • Sonata No. 1 in F Major for violin and continuo (approx. 16’)
  • Sonata No. 2 in D Major for violin and continuo (approx. 10’)
  • Sonata No. 3 in G minor for violin and continuo (approx. 13’)
  • Sonata No. 4 in C Major for violin and continuo (approx. 14’)
  • Sonata No. 5 in G Major for violin and continuo (approx. 19’)
  • Sonata No. 6 in E-flat Major for violin and continuo (approx. 15’)
  • Sonata No. 7 in A Major for 2 violins and continuo (approx. 12’)
  • Sonata No. 8 in D Major for 2 violins and continuo (approx. 12’)
  • Sonata No. 9 in F minor for 2 violins and continuo (approx. 13’)
  • Sonata No. 10 in A Major for 2 violins and continuo (approx. 11’) 

Felix Mendelssohn’s string quartets (list of recorded performances):

Other compositions:

Music: songs and other short pieces

Visual Arts

Film and Stage

latest from

The Work on the Meditations