Value for Tuesday of Week 29 in the season of Ripening

Exercising Sound Judgment and Discretion

Wise people exercise sound judgment.

  • Judgment comes from experience, and experience comes from bad judgment. [variously phrased and variously attributed]
  • Foreign policy exactly suits Obama’s strong points as a leader, which turn out not to be giving the masses a clear sense of direction and hope, but instead exercising good judgment on a case-by-case basis while thinking many steps ahead of the present moment. [attributed to George Packer]
  • Discretion is the perfection of reason, and a guide to us in all the duties of life. [source unclear]

Sound judgment is an essential characteristic of wisdom. It is the ability to weigh, soundly, competing values, alternative courses of action and different ways of looking at things. A person of judgment may be recognized for her self-assurance in the face of seemingly overwhelming amounts of information. Yet a caveat is in order: the claim to sound judgment is a common hallmark of the charlatan.

Real

True Narratives

Judgement on a grand scale:

Bad judgment on a grand scale:

Colonialism reflects both egoism and, often, poor judgment; query which feature is the more dominant and germane.

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

From the dark side:

Poetry

Music: Composers, artists, and major works

Franz Koglmann is known as a champion of cerebral jazz, in a style called “Viennese cool”. He “has spent his career investigating the space between the Viennese school and the cool school, writing and performing intricately detailed, beautifully arranged chamber-like works marked by a stunning elegance of line that one might expect from a former architect.” “He manages to marry his love for the West Coast cool jazz with elements from European modern and classic music composers, especially Franz Schubert, Alban Berg and Anton von Webern.” He has created an impressive set of playlists. 

George Szell was a conductor known for his analytical approach to music. An early demonstration of good judgment came when he turned to conducting, after recognizing that he was not likely to succeed as a pianist or composer. Another was in focusing on “those works which I thought I'm best qualified to do, and for which a certain tradition is disappearing with the disappearance of the great conductors who were my contemporaries and my idols and my unpaid teachers.” “With this sharp baton he made incisive patterns that his musicians could read instantan eously, without having to won der at what precise point in the downbeat, for instance, he meant the music to begin.” “His cultivation of the Cleveland Orchestra set an example of discipline and hard work that gradually helped raise the standards of orchestras across America. His playlists are extensive.

From the comically dark side:

Richard Strauss, Don Quixote, fantastische Variationen über ein Thema ritterlichen Charakters, for cello and orchestra, Op. 35, TrV 184 (1897) (approx. 37-43 ‘) (list of recorded performances), tells in music the story of a man with grand aspirations, and abysmal judgment. “Few characters have captured our imagination than Don Quixote, the befuddled knight—a pathetic, aging oddball who dreams of righting the world’s wrongs. The knight is the protagonist of Miguel Cervantes’ novel Don Quixote or ‘The Ingenious Gentleman Don Quixote of La Mancha’ of 1605 . . .” “Cervantes tell us briefly about his character and how he became who he was: ‘Through too little sleep and too much reading of books on knighthood, he dried up his brains in such a way that he wholly lost his judgement. His fantasy was filled with those things that he read, of enchantments, quarrels, battles, challenges, wooings, loves, storms . . .” “The old Don has been reading every word he can find on the subject (of chivalry) . . . until his poor old head is so crammed with giants, ogres, enemies, infidels, evil magicians and the like that he is impelled to set forth on his skinny old nag Rosinante, suffocating in his heavy, rusty armor, and put all evil to the sword -— all, of course, in the name of his fair beloved, Dulcinea, whom, needless to say, he has completely made up.” “The work is presented in three sections: an introduction that depicts the gradual deterioration of Don Quijote’s mental health, a group of ten variations corresponding to ten episodes in the novel, and the Epilog which describes Don Quijote’s return to sanity and eventual death. Top recorded performances are by Strauss and Mainardi in 1933, Reiner and Piatigorsky in 1941, Reiner and Janigro in 1959, Karajan and Fournier in 1965, Boult and du Pré in 1968, Kempe and Tortelier in 1973, Karajan and Meneses in 1986, Schwarz and Harrell in 2001, Zinman and Grossbacher in 2003 ***; and Petrenko and Tuck in 2017.

From the dark side:

Music: songs and other short pieces

Visual Arts

Film and Stage

This Is Our Story

A religion of values and Ethics, driven by love and compassion, informed by science and reason.

PART ONE: OUR STORY

First ingredient: Distinctions. What is the core and essence of being human? What is contentment, or kindliness, or Love? What is gentleness, or service, or enthusiasm, or courage? If you follow the links, you see at a glance what these concepts mean.

PART TWO: ANALYSIS

This site would be incomplete without an analytical framework. After you have digested a few of the examples, feel free to explore the ideas behind the model. I would be remiss if I did not give credit to my inspiration for this work: the Human Faith Project of Calvin Chatlos, M.D. His demonstration of a model for Human Faith began my exploration of this subject matter.

A RELIGION OF VALUES

A baby first begins to learn about the world by experiencing it. A room may be warm or cool. The baby learns that distinction. As a toddler, the child may strike her head with a rag doll, and see that it is soft; then strike her head with a wooden block, and see that it is hard. Love is a distinction: she loves me, or she doesn’t love me. This is true of every human value:

justice, humility, wisdom, courage . . . every single one of them.

This site is dedicated to exploring those distinctions. It is based on a model of values that you can read about on the “About” page. However, the best way to learn about what is in here is the same as the baby’s way of learning about the world: open the pages, and see what happens.

ants organic action machines

Octavio Ocampo, Forever Always

Jacek Yerka, House over the Waterfall

Norman Rockwell, Carefree Days Ahead

WHAT YOU WILL SEE HERE

When you open tiostest.wpengine.com, you will see a human value identified at the top of the page. The value changes daily. These values are designed to follow the seasons of the year.

You will also see an overview of the value, or subject for the day, and then two columns of materials.

The left-side column presents true narratives, which include biographies, memoirs, histories, documentary films and the like; and also technical and analytical writings.

The right-side columns presents the work of the human imagination: fictional novels and stories, music, visual art, poetry and fictional film.

Each entry is presented to help identify the value. Open some of the links and experience our human story, again. It belongs to us all, and each of us is a part of it.

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The Work on the Meditations