Value for Saturday of Week 12 in the season of Sowing

Redeeming

Springtime reminds us that redemption is possible, especially if we seek it.

Redemption is a difficult idea for many people to grasp and accept. The idea is that no matter what we have done in the past, we can live productively in the future. This may not sit well with someone whose life has been turned upside-down by violent or thoughtless behavior.

In 1969, Senator Edward M. Kennedy drove his car off a bridge, causing the death of a young woman passenger. He did not report the incident for many hours. This behavior was heinous, reprehensible and cowardly. As the surviving heir to America’s pre-eminent political dynasty, Kennedy faced calls for his resignation; in fact he posed that question to his constituents. He remained in office and in the United States Senate for forty more years. Despite facing other personal challenges during those years, including alcohol, he became one of the most respected senators in American history, noted for his hard work, persistence and ability to forge compromise despite what many saw as a controversial ideology.

Redemption depends on forgiveness, by the self more than by others. You may protest: “I can never undo the damage I’ve done. What right have I to forgive myself?” What right have you not to? You have an opportunity to make a difference in the lives of others. Whatever you have done wrong does not prevent you from doing right in the future.

Whatever we have done – whether large or small, reprehensible or merely silly – we can still accomplish great things and live a life of generous service to others if we overcome the inclination to be bound by shame and guilt, and treat each day – each moment – as an opportunity to do something worthwhile. The good news about redemption is that it is mainly up to us.

Real

True Narratives

Edward M. (Ted) Kennedy fell from grace when he accidentally drove a car off a bridge, causing the death of a young woman, whose company with him was questionable. His political career survived, and he remained in the Senate for nearly 40 years after that, becoming one of U.S.. history’s most accomplished and respected Senators.

Other true narratives of redemption:

Redemption in literature:

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

Novels:

N.K. Jemisin, Broken Earth Trilogy:

From the dark side:

Poetry

We, the successors of a country and a time where a skinny Black girl descended from slaves and raised by a single mother can dream of becoming president, only to find herself reciting for one.

[from Amanda Gorman, “The Hill We Climb”]

Music: Composers, artists, and major works

Gustav Mahler lived an emotionally turbulent life. His family was poor, and they were Jewish, which led to his being ostracized. “Every day his father exploded over the untidiness of Gustav’s room - the one and only place where tidiness was demanded of him; and yet every day Gustav forgot all about it until the next explosion burst about his ears.Eight of his siblings had died in childhood. Gustav had married the love of his life but she was a femme fatale, and Gustav was exceptionally intense. Perhaps that is why the idea of redemption moved him deeply. “In the Summer of 1906 Mahler was troubled by thoughts of failing powers. He decided to rest but on the first day of his holiday, whilst walking down to his composing hut , ‘On the threshold of my old workshop, the Spiritus Creator took hold of me and shook me and drove me on for the next eight weeks until my greatest work was done.’ This was the Eighth Symphony.” “Mahler’s Eighth Symphony is his most ambitious work. It reaches a level of complexity, a breadth of subject matter and size of forces, on equal not only in Mahler’s works but also in the history of the symphony to the date of its composition.” With its grand scale and scope, Mahler’s Symphony No. 8 in E-flat Major, “Symphony of a Thousand” (1906) (approx. 79-88’) (list of recorded performances), is a musical expression of redemption. “. . . the composer accentuates the concepts of divine grace, enlightenment, and eternal love . . . Despite their seemingly disparate natures, Mahler has, in fact, joined two texts that verbalize central tenets of his spiritual and metaphysical ethos.” Scored for a full orchestra and two gigantic choirs, the lyrics abound in overtly theistic themes but Mahler, as usual, was looking elsewhere. “. . . the composer . . . once told his wife that he meant the Symphony to emphasize the link between an early expression of Christian belief in the power of the holy spirit and Goethe’s symbolic vision of mankind’s redemption through love. Mahler makes many philosophical connections throughout the work, consistently stressing the principles of divine grace, earthly inadequacy, and spiritual reincarnation.” Dedicated formally to his wife Alma, Mahler offered the symphony as “a gift to the whole nation”. Horenstein in 1959, Mitropoulos in 1960, Solti in 1972, Tennstedt in 1986, Gielen in 1988, Bertini in 1991, Abbado in 1994, Rattle in 2004, Dudamel in 2012, and Jurowski in 2021 conducted top recorded performances.

Other compositions:

Music: songs and other short pieces

Visual Arts

Film and Stage

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