Value for Saturday of Week 08 in the season of Dormancy

Civilization

Civilization is a manifestation of order.

  • Civilization is social order promoting cultural creation. Four elements constitute it: economic provision, political organization, moral traditions, and the pursuit of knowledge and the arts. [Will Durant, The Story of Civilization, Volume 1: Our Oriental Heritage (1935), Chapter 1, “The Conditions of Civilization”.]

“Why should I be good to others? Why should I care about anyone else?” Skeptics of a Humanist values system pose these questions regularly. As with the origins of life and evolution of species, we have not had the answer for most of history but it is beginning to emerge.

Steven Pinker has written a “supremely important book“, The Better Angels of Our Nature: Why Violence Has Declined (Viking, 2011), in which he presents first a statistical and then an analytical case that specific factors and developments have produced a decrease in violence and a corresponding increase in human well-being as civilizations have evolved. He argues that crucial factors in the “civilizing process” have included “the consolidation of power of the state above feudal loyalties, and . . . the spread of commerce.” Other factors include “the rise of agriculture and the spread of feminism and democracy.”

The essential point of Pinker’s book is not whether a lesser percentage of people are victims of violence than before, but what factors reduce violence and contribute to well-being. It is here, as Pinker discusses, that values such as empathy and reason play a central role. This work appears to be a major contribution, and perhaps a spark plug, to our understanding of civilization in evolutionary terms. Because civilization is a dynamic system, that point may seem obvious; yet we only seem to appreciate the importance of the evolutionary dynamics of systems after someone such as Pinker has made some sense out of the apparent chaos. No doubt, the knowledge explosion, made possible through the internet, is another tool for us to use in becoming more civilized: civilized in a sustainable way, perhaps, with large populations and advanced technologies. As Pinker points out, we have no guarantees.

As a nation, a people or a world community, can we prevent climate change from having catastrophic, world-wide consequences? Can we control the human population with a minimum sacrifice of freedom? Can the ideal of universal human well-being be anything more than a fantasy? We may have gained new ways of considering those questions and thereby new ways to answer them.

Real

True Narratives

At least five essentially non-violent and non-political revolutions shaped civilization as we know it. These include the cognitive revolution, the agricultural revolution, the scientific revolution, the industrial revolution and the digital revolution.

The cognitive revolution: The earliest evidence we have for the cognitive revolution consists of paintings and drawing on cave walls as long as 100,000 years ago. By then, obviously, the human mind had developed sufficiently for people to think abstractly, plan for the future, and innovate in a uniquely human way.

The agricultural revolution: Also called the Neolithic Revolution, “the shift to agriculture from hunting and gathering changed humanity forever”. The first evidence of this development is from the Fertile Crescent, in the Middle East, approximately 12,000 years ago, and then later in other parts of the world. In addition to transforming daily life, this revolution increased the number of people Earth could support. This in turn led to the growth of cities and the revolutions that followed.

The scientific revolution: The five great revolutions that transformed and in a sense created civilization took place in near-geometric progression over time, with roughly 100,000 years between the first two, 12,000 years between the second and third, 200-300 years between the third and fourth, and 150 years between the final two. Once science took off, relatively rapid progress to the next two stages apparently was inevitable.

The scientific revolution began approximately in the mid-1500s, led by Copernicus, Brahe, Galileo, Newton and others. We think of it as having occurred mainly in Europe but of course it extended elsewhere too. The scientific revolution represented a new way of thinking, and spawned a masterful dissertation in 1962, in which Thomas Kuhn explored the interplay between established and novel thinking in science.

The industrial revolution began in Britain approximately in 1760, and picked up speed over time. It saw the development of the steam engine, internal combustion engine, large-scale manufacturing, and a plethora of other developments. It ushered in the transformation from rural to urban societies, and completely changed the character of daily life. However, because it relied on fossil fuels, it also produced consequences that may haunt humanity for centuries.

The digital revolution: We are in the digital age. Scientific research that took months to do twenty-five years ago can now be done in a few hours or couple of days, from the scientist’s or student’s living room. Medical research and library science are completely transformed. Lawyers no longer need or use law libraries, or those impressive-looking casebooks; everything is online, and available not only to lawyers also to the general pubic, usually free of charge. We no longer listen to records, or even compact discs; a wealth of music that would have been impossible to accumulate is available to every with a computer. All our relationships are transformed, “as the silicon chip’s reach permeates almost everything we do—from buying groceries online to finding a partner on a dating website”. In broad historical perspective, all of this is happening at lightning speed, challenging policy makers to address the power dynamics of gigantic corporations that control markets that are now used by billions of people worldwide. Artificial intelligence technologies are emerging, with consequences we cannot reliably predict. More than ever before, humanity is challenged to devise responses to these developments, lest we be consumed by them.

Histories of culture and civilization:

The following histories of our brutal primitive past support the dark side of Pinker's thesis.

Technical and Analytical Readings

Humans are uniquely able to develop cultures. Approximately 200,000 years ago, in Africa, homo sapiens began making and using stone tools, developing symbolic language, and engaging in unique social practices and organizations. On this foundation rests social/cultural transmission of information and practices, which then became a robust means for social evolution. Boyd and Richerson make five basic points about human culture: (1) it is information that people acquire through social learning; (2) it is best modeled as an evolutionary process; (3) it has its roots in human biology; (4) it distinguishes human evolution from evolution in other species; and (5) genes and culture co-evolve. Tomasello expands on this final point, explaining that while social evolution explains how the human condition evolves, it does not explain how we humans acquired our unique capacity for culture in the first place. “. . . the traditional notion of culture as something apart from biology and evolution will not do. Human culture is the form of social organization that arose . . . in response to specific adaptive changes.” With those changes in place, humans began to form our civilizations.

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

Poetry

Music: Composers, artists, and major works

In 1726, European music was in its Baroque era. Particularly evocative of high culture of the time and place are Johann Ludwig Bach’s eighteen “Leipzig Cantatas”, including JLB 1-16 (ca. 1715-1716) (approx. 310-325’). They bear the name “Leipzig” because the composer’s third cousin, Johann Sebastian Bach, directed their first performances there. “Within many of these works, there lies a range of simple elegant airs . . . fully worked-out da capo arias, varied duets (including the opening of Ich will meinen . . . where the soprano and alto are accompanied by a rasping pair of hunting horns (‘all sorrow will become joy’), touching accompanied recitatives (did they trigger their presence in the St Matthew Passion?) and Ludwig’s most obvious party trick where he revisits the main ritornello of the opening movement for the conclusion, spinning it into a vibrant chorale prelude.

In 1788, Europe was in its Enlightenment period. In that same year, the composer and musician Wolfgang Amadeus Mozart was entering a dark period in his life, and his final three years. This darkness is palpable in his Symphony No. 40 in G Minor, K. 550 (1788) (approx. 26-32’) (recordings). Written in conventional sonata form, it is among those great works of Mozart that look forward to the Romantic era’s passion of the 19th century, while epitomizing the Classical era’s structural elegance. “It may be that the G minor Symphony is the work in which Classicism and Romanticism meet and where once and for all we see a perfect equilibrium between them, neither outweighing the other by the tiniest fraction. It is in this respect, at least, the perfect musical work.” In this way, Mozart hinted at the culture that underlay both eras. Top recorded performances are conducted by Beecham in 1937, Furtwängler in 1948, Barenboim in 1968, Britten in 1968, Szell in 1970, Harnoncourt in 1983, Bernstein in 1984, Menuhin in 1989, Norrington in 1991, Gardiner in 1991, Pinnock in 1994, Mackerras in 2008 ***, and Jacobs in 2010.

Ralph Vaughan Williams, Symphony No. 2, IRV 41, “A London Symphony” (1914) (approx. 46-50’) (original long version) (1913) (approx. 65-70’) (recordings): “The Symphony’s opening bars emerge from a murky London fog. We sense the quiet, nocturnal expanse of the Thames River. Out of the mist rises the warm, distant tones of the Westminster chimes, striking the half hour. As the first movement (Lento – Allegro risoluto) unfolds, daylight brings the hustle of quickening footsteps on pavement. In a way similar to London itself, the music is majestic, soaring, and vibrantly colorful.” ”One feels as if one walks through the city and comes across something new as one turns the corner. However, there's also a greater melancholy, a spiritual lassitude, about the work. Excellent recorded performances are conducted by Barbirolli in 1958, Boult in 1971, Haitink in 1986, Andrew Davis in 1994, Thompson in 1989, Hickox in 2007, and Elder in 2011.

Aleksandr Glazunov, Symphony No. 7 in F Major, Op. 77, "Pastorale" (1903) (approx. 32-36’) (recordings), is a “pastoral” symphony for city dwellers. “Best of all is its gorgeous slow movement, which opens with a noble brass chorale that sounds like a Russian Orthodox church choir, festooned by the cheerful piping of woodwinds. Best recordings are conducted by Neeme Järvi in 1986, Anissimov in 1996 ***, and Serebrier in 2006.

Richard Strauss, La Bourgeois Gentilhomme Suite (Der Bürger als Edelmann Suite), TrV 228c, Op. 60 (1917) (approx. 34-38’) (recordings), “was one of (Strauss') own favourite scores, an absolute jewel of incidental music that combines the composer’s romanticism with his love of the Baroque music of Jean-Baptiste Lully.” “The original idea of Hugo von Hofmannsthal was to revive Molière's 1670 play Le Bourgeois gentilhomme, simplify the plot and introduce a commedia dell'arte troupe, add some incidental music and conclude matters with a one-act opera Ariadne auf Naxos. Notable performances are conducted by Strauss in 1930, Krauss in 1952, Reiner in 1956, Maazel in 1966; and Kempe in 1971.

Other works:

Jazz, big-band style: Big band jazz influenced culture in the United States, playing a significant role especially during the New Deal. Leading exponents include:

Since 1970 - an arbitrary cutoff point - the following big bands have carried forward the tradition:

Jazz at Lincoln Center Orchestra: “We believe jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.” Here is a link to JLCO’s albums & singles.

Albums:

Music: songs and other short pieces

Visual Arts

Film and Stage

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