Value for Saturday of Week 16 in the season of Sowing

Developing, Encouraging and Promoting Self-Competence

Competence brings a sense of accomplishment. For some people, it is confirmation of self-worth.

Real

True Narratives

Technical and Analytical Readings

Photographs

Documentary and Educational Films

Imaginary

Fictional Narratives

Novels about having to do it yourself:

Here is a list of books about children learning to fight their own battles.

 

Other children’s books and novels:

Poetry

A chaplain in the army,
A chaplain in the prisons,
An exhorter in Spoon River,
Drunk with divinity, Spoon River
Yet bringing poor Eliza Johnson to shame,
And myself to scorn and wretchedness.
But why will you never see that love of women,
And even love of wine,
Are the stimulants by which the soul, hungering for divinity,
Reaches the ecstatic vision
And sees the celestial outposts?
Only after many trials for strength,
Only when all stimulants fail,
Does the aspiring soul
By its own sheer power
Find the divine
By resting upon itself.

[Edgar Lee Masters, “Ezra Bartlett”]

Music: Composers, artists, and major works

Ludwig van Beethoven, Piano Sonata No. 29 in B-flat Major, Op. 106, “Hammerklavier” (1818) (approx. 40-50’): a gift of a grand piano inspired Beethoven to compose this sonata. “In its emotional range, its technical difficulty, its sheer length, it exceeded any predecessor. Top recorded performances, with comments drawn from Jed Distler’s Gramophone Collection article in 2020, are by Schnabel in 1935 (ferocious, sometimes outruns his fingers), Kempff in 1936 (honest), Gulda in 1951 (brash) **, Solomon in 1952 (powerful and suave) **, Arrau in 1963 (deep, powerful, probing and finessed) ***, Pollini in 1977 (penetrating and firmly delineated), Annie Fischer in 1977-78 (unstudied flexibility), Brendel in 1983 (animated and flowing tempi), Uchida in 2007 (polyphonic acumen) **, Ugorskaja in 2012 (forceful accents, broad brushstrokes, marked dynamic contrasts), and Perahia in 2016, (unalloyed greatness).

Stéphane Grappelli was Django Reinhardt’s violinist, then had a long career on his own after the gypsy guitarist died. Grappelli played with a distinctive style, characterized by lilting swing rhythms and a carefree feel that belied the technical intricacies of his playing. His playing conveys a sense of consummate self-assurance, born of the confidence that comes from mastering a skill so fully that it seems he could do it in his sleep. Here are links to his “Young Django” album (1980) (38’), a live performance at the Montreal Jazz Festival in 1984, another live in San Francisco, still another live in New Orleans in 1989, conversation and performance with guitarist Martin Taylor, a collection entitled “From Paris with Love”, and his extensive playlists. 

Brazilian guitarist Baden Powell also captured the essence of self-assurance in his music, in a completely different way from Grappelli. His playing displays a relaxed self-assurance, in contrast to Grappelli’s more energetic riffs. He left behind extensive playlists.

Compositions:

Albums:

Music: songs and other short pieces

Visual Arts

Film and Stage

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