This Is Our Story

This is Our Story

Humanity United in Action,
Driven By Love and Compassion,
Informed by Science and Reason.

MENUMENU
  • Home
  • Read This First
  • About
  • Cycle-of-Life Season
    • 1 Dormancy
      • Week 01: Human Worth
      • Week 02: Universality
      • Week 03: Justice
      • Week 04: Suffering
      • Week 05: Humility
      • Week 06: Avoiding Harm, or Evil
      • Week 07: Engaging the World
      • Week 08: Order
    • 2 Sowing
      • Week 09: Preferences (Desire)
      • Week 10: Autonomy
      • Week 11: Life as a Journey
      • Week 12: Renewal
      • Week 13: Hope and Optimism
      • Week 14: Self-esteem (Self-worth begins)
      • Week 15: Self-confidence
      • Week 16: Independence (Self-competence)
    • 3 Growth
      • Week 17: Our Future
      • Week 18: Honesty
      • Week 19: Obligation in the World
      • Week 20: Duty toward Others
      • Week 21: Awakening
      • Week 22: Obstacles and Opportunities
      • Week 23: Individuality and Community
    • 4 Ripening
      • Week 24: Honoring
      • Week 25: Excellence
      • Week 26: An Ethic of Generous Service
      • Week 27: Openness
      • Week 28: Transcendence
      • Week 29: Wisdom
      • Week 30: Caring
      • Week 31: Courage
      • Week 32: Citizenship
    • 5 Interlude
      • Week 33: Grounding and Well-Roundedness
      • Week 34: Assertiveness
      • Week 35: Restoration
    • 6 Fulfillment
      • Week 36: Creativity
      • Week 37: Truth
      • Week 38: Love
      • Week 39: Faith
      • Week 40: Rebirth
    • 7 Assessing
      • Week 41: Home and the Past
      • Week 42: Vitality
      • Week 43: Self-actualization and Integrity
      • Week 44: Connectedness
      • Week 45: Empowerment
      • Week 46: Equality
    • 8 Harvest and Celebration
      • Week 47: Flourishing
      • Week 48: Focus and Perspective
      • Week 49: Change
      • Week 50: Finding Our Niche
      • Week 51: Accepting / Surrendering
      • Week 52: Living Religiously
      • Week 53: Celebration and Remembrance
  • Weekdays
    • Sunday
    • Monday
    • Tuesday
    • Wednesday
    • Thursday
    • Friday
    • Saturday
You are here: Home / Cycle-of-Life Season / 8 Harvest and Celebration / Embracing Life

Embracing Life

Valentin Serov, In a Village, Peasant Woman with a Horse (1898)

Embracing life is accepting all things as they are, enthusiastically and with open arms. It is a way of approaching life, an attitude.

If we will not embrace life as it is, then how will we embrace life? And if we do not embrace life, then what will we hold dear, if anything?

No one forces us to embrace life. We could tolerate it. We could even be angry and bitter about our circumstances, for all the good that does.

Life is an invitation that has walked through your door. You can embrace it or not, it is up to you.

Real

True Narratives

  • Anne Enright, Making Babies: Stumbling Into Motherhood (W.W. Norton & Company, 2012): “Enright, with all her caustic wit, embraces . . . ‘the whole Megillah’”.

Imaginary

Fictional Narratives

Novels:

  • Kazuo Ishiguro, Never Let Me Go (Vintage Canada, 2006).: “Ishiguro has a way of pitting innocence against experience, while reminding us that we're capable of both.”

Visual Arts

  • Zinaida Serebriakova, Peasant (1914)
  • Ivan Aivazovsky, Chains of the Caucasus Mountains (1869)
  • Boris Kostudiev, At the Sketches (At the Foothills)

Music: songs and other short pieces

  • The Beatles, Let It Be

Film and Stage

  • Departures, a magnificent and moving film about a man who becomes an artist at a ritual for families of the departed

Music: Composers, artists, and major works

As in his Ninth Symphony, Mahler explored the themes of loss and grieving in his Symphony No. 1 in C major, “Titan” (1888). In his youth, he was passionately in love with a beautiful young woman, Johanna Richter. He continued to mourn the loss of that relationship for several years, including the time when he composed his first symphony. “The Titan of the title relates to an 1800-1803 novel of the same name by Jean Paul, which narrates a convoluted tale (in four volumes) of a man who must discover his hidden past, find his ideal bride, and assume the throne of a small German principality.” The first four movements evoke that turmoil but unlike his Ninth Symphony, his First reflects his youthful optimism, ending in transformation and triumph after he accepts his situation. “He . . . goes all the way back to the music with which the symphony began and gathers strength for a second assault that does indeed open the doors to a heroic ending and to its celebration in a hymn in which the horns, now on their feet, are instructed to drown out the rest of the orchestra, 'even the trumpets.'” Great performances have been conducted by Bernstein in 1988, Kubelik in 1968, Kubelik in 1979, Nézet-Séguin in 2019, Solti in 1964, Horenstein in 1969, Walter in 1954, Walter in 1961, Barbirolli in 1957, Chailly in 1996 and Boulez in 1998.

Brahms, Symphony No. 3 in F Major, Op. 90 (1883): Brahms, who never married may have been expressing his feelings about that in this symphony, which he described as “free but happy” – not free and happy. This was in “defiant response to Joseph Joachim’s Frei aber einsam ('Free but lonely')”. Brahms had been in love with Clara Schuman, and may never have resolved those feelings. A “defining characteristic is the prevalence of rhythmic instability, first heard in the opening theme with its ambiguity between duple and triple meter. The second movement has the character of a wind serenade with an austere second theme that returns again in the last movement. Clara Schumann described the delicately melancholy third movement as ‘a pearl, but it is a grey one dipped in a tear of woe.’ The unsettled turbulence of the last movement is resolved in the coda, with the return to F major and the gentle echo of the end of the first movement.” The symphony ends like this: “After a reticent recollection of the call-and-response, a passage heard half an hour earlier emerges from the veil. In its first appearance it was headstrong and defiant. Now it is mellow and restrained. It is the main theme of the opening movement, transformed by time and experience from a shout into a whisper: calm, reassuring, complete.” Top performances were conducted by Krauss in 1930, Weingartner in 1938, Furtwängler in 1949, Szell in 1951, Furtwängler in 1954, Klemperer in 1957, Reiner in 1957, Barbirolli in 1967, Boult in 1970, Sanderling in 1972, Abbado in 1989, Alsop in 2005, Fischer in 2021 and Blomstedt in 2022.

Malian multi-instrumentalist Baba Sissoko’s playing, particularly on his later albums, evokes joy and gratefulness:

  • “Griot Jazz” (2021)
  • “Mali Music Has No Borders” (2020)
  • “Sissoko & Sissoko”, with kora artist Ballaké Sissoko (2019)
  • “Amadran” (2019)
  • “Mediterranean Blues” (2017)

Albums and live performances:

  • Nana Mouskouri, Live at Herod Atticus, July 24, 1984; concert in Berlin, 1987
  • Manu Dibango, Live ’91 album
  • Sam Mangwana, Maria Tebbo album
  • Robson Banda and The New Black Eagles, “Soweto”
  • Franco et. le Tout Puissant OK Jazz, Mario album; La Vie des Hommes
  • Hank Penny, Hillbilly Bebop: The King Anthology 1944-1950
  • The Country Gentlemen, Country Songs, Old and New album
  • The Allman Brothers Band at Fillmore East
  • Miles Davis, “In Person at the Blackhawk, San Francisco” album
  • Taylor Festival Choir, “So Hallow’d the Time”

Compositions:

  • Aho, Chinese Songs (Kiinalaisia Iauluja) (1997): these songs convey sadness, even despair, until the final song breaks through with a revelation that we can choose another way.
  • Dvoƙák, Piano Concerto in G Minor, Op. 33, B163 (1875): Though written in a minor key, this concerto is a celebration of life.

August 26, 2010

Previous Post: « Surrendering – Accepting the Things We Cannot Change
Next Post: Forgiving »
  • Email
  • Twitter

Topics

Acknowledging Anticipation Appreciation Belonging Choosing Confidence Focus Honoring uniqueness Judgment Motivation Planning Prudence Remembrance Restraining Retreat Reverie Self-knowledge Tenacity Transcending ego Week 01: Human Worth

Web Developers Studio
© 2023 ThisIsOurStory
About | FAQ