Imaginary

Visual Arts

• Norman Rockwell, And the Symbol of Welcome Is Light (1920)
• René Magritte, The Window (1925)
• Georges Braque, Harbor in Normandy (1909)
• Paul Gaugin, Breton Girls Dancing at Pont-Avon (1888)
• Georges Seurat, Harbor in Honfleur (1886)

Film and Stage

Catholic priests have been subjects of several films illustrating the virtue of welcoming in the negative.

• Diary of a Country Priest, abouta mentally tortured priest who tries to minister to a remote French village
• Priest, a lookat the “tortured soul of a gay priest”

Music: Composers, artists, and major works

Orchestra Boabab, “Pirates Choice” album, is Senegalese music influenced by Cuban and other Latin music. The way the players embrace music from across the ocean makes this a suitable entry for this topic. This disc is among the finest of all international recordings.

Youssou N’Dour is a Senegalese singer who describes his approach as Pan-African: “What all of us Africans share is more important than what we don’t share.” His album, “The Guide (Wonmat)”, offers numerous enticements for listeners outside Senegal, the employment of several well-known artists from outside Africa being less important than the creative spirit and artistry of the music.

• Playlist
• Grand Bal 2020
• Bercy 2008

Another Senegalese artist, Ismael Lo, has drawn on European influences. Here is a playlist.

Khadja Nin is a singer from Burundi whose songs display a similar openness of spirit.

Luciano Biondini is an Italian jazz accordionist who pairs with a wide variety of other instruments, welcoming each of them into his musical world – quite apart from his openness in bringing the accordion into the jazz world. His albums include:

• “Lo Stortino”, with Gabriele Mirabassi, Michel Godard & Francesco D’Auria, clarinet, tuba & percussion (2000)
• “El Cacerolazo”, with Javier Girotto, saxophone (2002)
• “Fuori le Mura”, with Gabriele Mirabassi, clarinet (2003)
• “Terra Madre”, with Javier Girotto, saxophone (2005)
• “Variazioni su Tema”, with Rita Marcotulli & Javier Girotto, piano & saxophone (2011)
• “Face to Face”, with Fabrizio Bosso, trumpet (2013)
• “La Strada Invisible”, with Rita Marcotulli, piano (2014)
• “Dialogues”, with Mirco Mariottini & Stefano Maurizi, clarinet & piano (2021)
• “Once in a Blue Moon”, with Klaus Falschlunger, sitar (2022)
• “Mavì”, with Michel Godard & Lucas Niggli, tuba & percussion (2022)

Compositions from the Western Classical idiom:

• Franck, Symphonic Variations (Variations symphoniques), M46 (1885): trying new things, in the open where everyone can see and hear
• Dvořák, Piano Trio No. 1 in B-flat major, Op. 21, B51 (1880)
• Borodin, Symphony No. 1 in E-flat Major (1867)
• Alfvén, Den forlorade sonen (The Prodigal Son) Suite (1957)
• Boccherini, Flute Quintets, Op. 17, G 419-424 and Flute Quintets, G 437-442

Albums:

• María Cristina Kehr, Krishnasol Jiménez and Roberto Koch, “Navigating Foreign Waters: Spanish Baroque Music and Mexican Folk Music” (ignoring the tragic history of Spanish-Mexican relations in the Baroque era)

Fictional Narratives

Novels:

• Sahar Mustafah, The Beauty of Your Face: A Novel (W.W. Norton, 2020): “The first 14 pages of Mustafah’s novel take place during a school shooting. We see the events unfold from two perspectives — the shooter’s (glancingly) and the school principal’s.” [on the acceptance of an immigrant in a school after a shooting]

Music: songs and other short pieces

• Jakob Bro, “Welcome”