Imaginary

Visual Arts

• Pablo Picasso, Portrait of Olga in an Armchair (1917)
• William Blake, Angel of the Divine Presence (ca. 1803)

Fictional Narratives

Novels:

• Jane Smiley, The All-True Travels and Adventures of Lidie Newton(Random House, 1998).
• Hisham Matar, Anatomy of a Disappearance: A Novel (The Dial Press, 2011). "Where Matar's first book was largely about the narrator's intense bond with his mother, the second novel is all about the son's struggle for intimacy with his distant father."
• Hisham Matar, In the Country of Men (The Dial Press, 2007).
• Henri-Pierre Roche, Jules et Jim (1953).
• Sally Rooney, Normal People: A Novel (Hogarth, 2019): “In chapters that alternate between two perspectives, she dramatizes, with excruciating emotional insight, the intertwined lives of Connell and Marianne, beginning with their final year of high school in the West Ireland town of Carricklea, and ending with their final year at Trinity College, Dublin.”
• Alejandra Zambra, Chilean Poet: A Novel (Viking, 2022): “At the novel’s heart is the relationship between Gonzalo, an aspiring poet, and his stepson, Vicente, who grows up to become — you guessed it — an aspiring poet. Zambra uses their bond, forged through care rather than blood, to think through literary (and literal) inheritance.”
• Lina Wolff, Carnality: A Novel (Other Press, 2022): “Lina Wolff’s new novel is about strangers who meet in Madrid and become entwined as deeply as two people can: sexually, spiritually, criminally.”

Music: Composers, artists, and major works

Presenting the composer’s spirit in two close-knit voices, Brahms’ distinctly Romantic sonatas for violin and piano are the very soul of intimacy.

• No. 1 in G major, Op. 78 (“Rain”)
• No. 2 in A major, Op. 100
• No. 3 in D minor, Op. 108

Alexander Borodin, String Quartet No. 2 in D major (1881) (approx. 26-30 minutes): this masterwork of Russian romanticism paints a musical picture of an evening between two people who are romantically involved and deeply in love. “You might suppose that a piece of music written by a noted scientist and nobleman in his free time would sound stuffy or unsophisticated, the work of a dilettante stretching beyond his expertise. Not so with late-19th-century Russian composer Alexander Borodin, whose fame as a chemist was matched by a brilliant, if unprolific, side career in classical music. Borodin's String Quartets No. 1 and No. 2 are wonderful examples of the Russian romantic tradition, full of lush harmonies, bulging dynamic swells, and memorable melodic lines perfect for wooing a paramour.” “The cello was Borodin’s instrument, and it is clearly his 'voice' in this radiantly lyrical work.” “. . . the whole work is almost like a love letter. The prominent cello and first violin parts may represent Borodin and his wife.” Appropriately, “Borodin dedicated the work to his wife on their twenty-fifth anniversary.” Top recorded performances are by Hollywood Quartet in 1952 (begin at 25:30), Borodin Quartet in 1962, Borodin Quartet in 1980, Talich Quartet in 1986 ***, Shostakovich Quartet in 1993, Quatuor Alcan in 1993, The Lindsays in 2002, and Borodin Quartet in 2005.

• First movement, Allegro – moderato: the opening movement evokes images, perhaps from mid-afternoon, of preparations for the evening.
• Second movement, Scherzo: allegro: here the preparation and excitement build, as evidenced by the quicker tempi and rushes of notes. Perhaps they have gone out for the evening.
• Third movement, Nocturne: andante: our couple has returned home, and we hear one of the most romantic movements in music. As the movement winds toward its conclusion, the couple winds down toward sleep.
• Fourth movement, Finale: andante – vivace: reinvigorated, the couple sound hints – and only that – of discord. Perhaps it was an unkind remark from one of their other companions earlier in the evening. No matter, the incident is quickly forgotten as the lovers return home and climb into bed.

A close interaction between the two voices, viola and harpsichord, characterizes François Couperin’s Suites for Viola da Gamba. The accompanying harpsichord comments on and affirms practically every passage from the main instrument.

• Suite No. 1 in E minor
• Suite No. 2 in A major

Obviously, trombonist Natalie Cressman and guitarist Ian Faquini enjoy a close personal affinity. This unusual pairing of instruments, in these hands, evokes intimacy:

• “Auburn Whisper” album
• “Setting Rays of Summer” album

Dora Pejačević’s chamber works express the playfulness of intimacy:

• Piano Trio in C major, op. 29
• Cello Sonata in E minor, Op. 35
• Piano Quintet in B minor, Op. 40

Other works:

• Koechlin: Sonata for two flutes, Op. 75 (1920)
• A tight, loving interplay between the soloist and the orchestra characterizes Ireland’s Piano Concerto in E-flat Major (1930).
• Along the same lines as Borodin’s second string quartet, though less overtly romantic, is Schumann’s String Quartet No. 3 in A Major, Op. 41, No. 3 (1842).
• Bax, String Quartet No. 1 in G Major (1918)
• F. Bach, 6 Flute duets, F 54-59: two voices, intertwined
• Baksa, Celestials (1995)

Albums:

• Harold Danko, “After the Rain”: these images on solo piano are in tribute to John Coltrane; I hear the soul after emotionally intimate love-making.
• Jane Ira Bloom, “The Nearness”
• Keith Oxman, “Two Cigarettes in the Dark”
• Marc Johnson & Eliane Elias, “Swept Away”
• Christoph Croisé & Oxana Shevchenko, “Joachim Raff: Complete Works for Cello and Piano”
• David Orlowsky & David Bergmüller, “Alter Ego” (2022): clarinet and lute, to hypnotic effect
• Kate Baker & Vic Juris, “Return to Shore”: this “intimate recording” by a wife-husband singer-guitarist duo was Juris’ last. He died of cancer in 2019. “This is a recording with love and mutual respect ringing clear as a bell, infused with many deep musical and life qualities.”
• Josefine Opsahl & Trine Opsahl, “The Infinite between Us” (2021) (63’): “The music . . . is peaceful and harmonious and is inspired by the Nordic-Celtic folk genre, which is ideally suited for therapeutic work and relaxation.”

On these albums, the intimacy is in the performance - the sound of intimacy:

• Renoud van Mechelen, “Oh, ma belle brunette”
• Kate Lindsey, “Arianna”: “Lindsey sings here with delicious intimacy, at times as if she were whispering into our ears.” [Lindsay Kemp, Downbeat magazine, February 2020, p. 74.]

Film and Stage

• Jules and Jim is a story of intimacy denied, as a duo of longtime friends morphs into a romantic triangle. One of the men prevails but it turns out that no one can hold the indomitable Catherine.
• Entre Nous(Between Us), a film about the need for intimacy
• When Harry Met Sally: a comic look at sexuality and intimacy, including one of the great comic-sex bits in film
• Silent Souls: two male friends, separated by many years in age, find a kind of emotional intimacy when the younger man’s wife dies and chooses the older man to assist him in a tribal ritual
• Before Sunset, the sequel to “Before Sunrise” (which could also have been listed under intimacy): the film explores the confluence of sexual attraction, emotional intimacy and “how rare it is to meet someone you feel an instinctive connection with”

Poetry

When you came, you were like red wine and honey.
And the taste of you burnt my mouth with its sweetness.
Now you are like morning bread,
Smooth and pleasant.
I hardly taste you at all for I know your savour,
But I am completely nourished.

[Amy Lowell, “A Decade”]

Other poems:

• Stanley Kunitz, “Touch Me”
• Edgar Lee Masters, “William and Emily”

Books of poetry:

• Florence Gander, Be With (New Directions, 2018) is “a book that probes, among other things, the sudden death of Gander’s wife, the celebrated poet C. D. Wright — explores a related question: How do we know where we ourselves begin or end? In many ways, the book’s focus is strikingly inward, showing how grief sounds in the body, mapping paths, making previously hidden regions visible.”