- I do not believe we can have any freedom at all in the philosophical sense, for we act not only under external compulsion but also by inner necessity. Schopenhauer’s saying— “A man can surely do what he wills to do, but he cannot determine what he wills”—impressed itself upon me in youth and has always consoled me when I have witnessed or suffered life’s hardships. This conviction is a perpetual breeder of tolerance, for it does not allow us to take ourselves or others too seriously; it makes rather for a sense of humor. [Albert Einstein, from Henry Goddard Leach, Living Philosophies (Simon and Schuster, 1931).]
To take full advantage of our autonomy – to see what is possible, to plan and to choose – we must be free. Freedom is the state of being free, as contrasted with the process of liberation. Given the luxury of doing so, people value their freedom above nearly everything else – or so they think.
Privacy as an element of freedom:
- Lori Andrews, I Know Who You Are and I Saw What You Did: Social Networks and the Death of Privacy (Free Press, 2012): how personal data are exploited by Web sites, search engines and Internet technologies.
- Paul R. Abramson, Steven Pinkerton and Mark Huppin, Sexual Rights in America: The Ninth Amendment and the Pursuit of Happiness (NYU Press, 2003).
- John W. Johnson, Griswold v. Connecticut: Birth Control and the Constitutional Right of Privacy (University Press of Kansas, 2005) [links to the full text of the Court’s opinion, and oral arguments, in this landmark case, which established a constitutionally protected right of privacy].
- Erica Benner, Be Like the Fox: Machiavelli’s Lifelong Quest for Freedom (W.W. Norton & Company, 2017). “Machiavelli: Good Guy or Bad? This Biography Argues for the Former”
- Myra B. Young Armstead, Freedom’s Gardener: James F. Brown, Horticulture, and the Hudson Valley in Antebelllum America (New York University Press, 2012). “He believed in public order, personal responsibility and self-discipline.”
On the dark side:
Russia and its gulags:
- Anne Applebaum, Gulag: A History (Doubleday, 2003)
- Jehanne M. Gheith and Katherine R. Jolluck, Gulag Voices: Oral Histories of Soviet Incarceration and Exile (Palgrave MacMillan, 2011).
- Golfo Alexopoulos, Illness and Inhumanity in Stalin’s Gulag (Yale University Press, 2017).
- Masha Gessen, The Future Is History: How Totalitarianism Reclaimed Russia (Riverhead Books, 2017). “Gessen . . . tells Russia’s story through the eyes of seven Russians.”
- Witold Szablowski, Dancing Bears: True Stories of People Nostalgic for Life Under Tyranny (Penguin Press, 2018): “. . . he provokes a far-reaching and unresolved conversation about what freedom really means.”
- Ezra F. Vogel, Deng Xiaopeng and the Transformation of China (Belknap Press, 2011): “ . . . for most of his long career Deng Xiaoping did less for China than he did to it."
Documentary and Educational Films
- Anita O’Day: Life of a Jazz Singer: remembrances of a jazz singer who lived a long but difficult life. “What repeatedly comes to mind when people invoke Ms. O’Day is her feral, instinctive drive for freedom, both artistic and personal.”
Technical and Analytical Readings
Privacy, an aspect of freedom:
- Garret Keizer, Privacy (Picador, 2012): a definition of privacy that “seems to fit within the European tradition of conceiving privacy as a way of protecting human dignity (as opposed to the American one, which is more interested in privacy as a way of protecting liberty).”
- Daniel Solove, Understanding Privacy (Harvard University Press, 2008).
- Helen Nissenbaum, Privacy in Context: Technology, Policy, and the Integrity of Social Life (Stanford Law Books, 2009).
- Wolfgang Sofsky, Privacy: A Manifesto (Princeton University Press, 2008).
- Ellen Alderman and Caroline Kennedy, The Right To Privacy (Alfred A. Knopf, 1995).
- Daniel H. Holtzman, Privacy Lost: How Technology is Endangering Your Privacy (Jossey-Bass, 2006).
Film and Stage
- Kiss of the Spider Woman, a film illustrating the vastly different approaches to freedom that shape and color the human community: “By the end of the film, what started out as a contest between two opposite personalities has expanded into a choice between two completely different attitudes toward life. And the choice is not sexual, although for a long time it seems so. It is between freedom and slavery.”
- Hair, about a young man in his last few days before entering the military service during the Vietnam war
From the dark side:
- Pan’s Labyrinth: a “meditation on the costs and limitations of totalitarianism”
- Rabbit-Proof Fence, dramatizing the true story of three aboriginal girls who walk 1,200 miles to return home after being taken from their families by government officials
- Timbuktu, on oppression in Mali
From the dark side:
- Dave Eggers, The Circle (Alfred A. Knopf, 2013): a seeming heaven of creature comforts and high good taste is a hell in which “(a)nonymity is banished” and “everyone’s past is revealed”.
- Thomas Pynchon, Bleeding Edge (Penguin, 2013): the main concern of “America’s great clown laureate of paranoia”, reflected in his literary work, is dehumanization as a result of “vast and totalizing systems of control.”
- Rachel Kushner, The Mars Room: A Novel (Scribner, 2018): “’The Mars Room’ is a major novel, a sustained performance, one that broods on several exigent ideas. The sense of constriction I mentioned above plays out in many ways. Nearly every character has had radically limited options from birth.”
- Angie Cruz, Dominicana: A Novel (Flatiron Books, 2019): “The titular Dominicana of Angie Cruz’s third novel refers to both her narrator, Ana, and a hollow ceramic doll that serves as a vessel for all her secrets. It’s an apt metaphor for Ana’s role in her family: carrying within herself all their hopes to eventually build a life in the United States.”
- Yoko Ogawa, The Memory Police: A Novel (Pantheon, 2019): “Objects don’t vanish, exactly; people wake up knowing they are ‘gone,’ and destroy them. Those who can’t forget receive a visit from the Memory Police, who enforce the disappearances by carting off families and eliminating contraband while betraying no signs of their intent.”
- Carolina De Robertis, Cantoras: A Novel (Knopf, 2019): “In 1977, five rebellious friends (or singers, as lesbians were called) escape the spying neighbors and disapproving parents of Montevideo for the remote seaside fishing village of Cabo Polonio. They want to be alone, to eat, drink and talk openly in ‘a circle of the possible.’”
- Rinsai Rossetti, The Girl With Borrowed Wings (Dial Books, 2012): a young person’s novel in which the author “uses the colors of nature to convey the disparity between who Frenenqer is expected to be and the person she truly is . . .”
- Neel Mukherjee, A State of Freedom: A Novel (W.W. Norton & Company, 2018): “”
- V.S. Naipaul, In a Free State: A Novel (HarperCollins, 1971): “These new stories focus on the failure of heart, on the animallike cruelty man exhibits to other men and on the avarice that, as Chaucer's Pardoner told, is the root of all evil. Are we in a free state really? Or are organisms driven by the violent compulsions within us?”
Music: Composers, artists, and major works
Western "Classical" compositions:
- Janáček, Taras Bulba, JW6/15 (1918), reflects the indomitability of its subject.
- Gillis, Symphony No. 3, “A Symphony for Free Men” (1942)
- Karabits, “Musician”
- Kosenko, Two Pieces, Op. 4 (1919)
- Lyatoshinsky, Sonata for Violin and Piano, Op. 19 (1926)
- Skoryk, “Hutsul Triptych” (1964-1965): 1. Allegretto; 2. Dance
- Kryvopust, “Capriccio”
- Shchetynsky, “An Episode in the Life of the Poet”
- Silvestrov, Violin Sonata, "Post Scriptum" (1990)
- Stankovych: “Angel’s Touch"
- Glière, The Red Poppy, a ballet glorifying the ideals of the Russian Revolution of 1917
- Boukman Eksperyans, Libéte (Pran Pou Pran’l!) [Freedom (Let’s Take It!)]
- Henry Butler, “The Village”: The Village; Music Came; Swingin’ at the Palace
- “Ukraine: Journey To Freedom - A Century of Classical Music for Violin and Piano
- Eric Revis, “Slipknots Through a Looking Glass”
From the dark side:
- Leos Janacek’s dark-toned opera “From the House of the Dead” (Z vrtmého domu), JW I/11 (1930) celebrates freedom as an elusive ideal. The story is about prisoners in a Siberian prison camp. After a protagonist is killed, a wounded eagle is set free, symbolizing the ideal. Here are links to performances conducted by Boulez, Abbado and Mackerras.
- Verdi’s Aida also portrays freedom as a distant ideal (here are links to performances with Price & Pavarotti; Freni & Domingo; and Aaron & Aldrich).
- Poulenc: Figure humaine for 12 voices, FP120 (1943): Human voices, standing alone (a capella), expressing the cry of oppressed peoples for freedom.
Where the mind is without fear and the head is held high / Where knowledge is free / Where the world has not been broken up into fragments / By narrow domestic walls
Where words come out from the depth of truth / Where tireless striving stretches its arms towards perfection / Where the clear stream of reason has not lost its way / Into the dreary desert sand of dead habit
Where the mind is led forward by thee / Into ever-widening thought and action / Into that heaven of freedom, my Father, let my country awake.
[Rabindranath Tagore, “Where the Mind Is Without Fear”]
- Frances Ellen Watkins Harper, “Bury Me in a Free Land”